Monthly Archives: February 2019

Fantastical Dimensions: Antonius Bui & Their Papercut Art

I often times view paper as a metaphor for history. When I am working on these hand-cut paper sculptures, I actively carve out space for histories that are actively forgotten and erased in this white supremacist nation. The reductive process deconstructs the white canvas, revealing more and more truths with every slice.

“(Re-)membering” April 30th: a submissions call

A submission call for "texture poems" from the Vietnamese diaspora, in commemoration of the 44th anniversary of April 30, 1975. This year on diaCRITICS, we wish to reflect on this day in terms of both the past and the present. We would like to consider “textures” of diasporic experience that have since been gathered, created, collected and re-collected, imagined and re-imagined, since that historic day in 1975.

Deciding Utopia: Artist Profile of Antonius Bui

"I dive into history while recognizing that I am more than a war. / We are our ancestors’ wildest dreams. / We have suffered and continue to, but that doesn’t define us. // What value do my communities have in society? // Who is considered worthy of praise? // What is considered natural or unnatural? // What does utopia look like? // I decide. / We decide."

Book Review: Sheep Machine

"Accuracy, though, was never Nao’s goal. Instead, Sheep Machine is a meditation on the act of seeing. Nao asks: what do we see and how do we describe it? It is a question of truth: is what I see true and can I tell you what I see truthfully?"

140 LBS of Emotion

"To have Vietnamese representation on stage is imperative, inspiring, moving, and bloody outstanding. I cackled like a maniac whilst keeping myself from a full on effin’ sob fest. In fact, I am still processing these waves of emotion."

“Blind Man” by Mimi Nguyen

The blind man draws circles and traces charms / Bloodline cursed over three generations: / A mother burns her baby with fire and water / To prove the newborn is not his father’s future assassin.