If you like what you read here, please consider making a donation to DVAN via Intersection for the Arts.
Monthly Archives: February 2019
"To have Vietnamese representation on stage is imperative, inspiring, moving, and bloody outstanding. I cackled like a maniac whilst keeping myself from a full on effin’ sob fest. In fact, I am still processing these waves of emotion."
The blind man draws circles and traces charms / Bloodline cursed over three generations: / A mother burns her baby with fire and water / To prove the newborn is not his father’s future assassin.
We are Vietnamese. I did not feel at home in my own skin, a banana: yellow on the outside, white on the inside. That is, until I met other Vietnamese Australian artists like Chi Vu who had Vietnamese ancestry and artistic sensibilities.
Isabelle Thuy Pelaud is the co-founder of the Diasporic Vietnamese Artists Network. In this intimate interview, she talks to Vi Khi Nao about everything from poetry, to the long echoes of colonial dynamics in France, to her fight for the lowercase 'i' as a form of subversive rebellion, to dreams, to wonderment, to the beauty of anti-theoretical living as learned from her dog Coco.
Nhạc vàng songs are like ghosts living in and out of diaspora, trailing behind Vietnamese veterans, rewinding themselves, back to their country and the struggles of living through destitution and ideological polarization. The political and historical erasures that were never archived in print media were/are re/recorded and re/produced as songs. […]