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Whereas the short story of the 1980s was the province of straight white Americans, Tan is something different: multi-national, sometimes queer, not white. In short, Tan writes into new territory, exciting territory.
Socio-cultural, literary, and political news and events relating to Việt Nam and to the Vietnamese diaspora. ■ News from the Diaspora ■ Malaysian Bar chief asks why Vietnamese suspect in Kim Jong Nam murder case was not freed ■ “Tiffany Chung: Vietnam, Past Is Prologue” at the Smithsonian American Art Museum ■ ...
On February 19, to commemorate the 50th anniversary of San Francisco State University's Third World Liberation Strike, writer Viet Thanh Nguyen and photographer An-My Lê were in conversation about what Vietnamese American art means to their practice.
It's the difference between a legacy of interacting with the natural world through a series of violent acts with the purpose of domination over a space, versus interacting with the natural world as a means of avoiding acts of violence, and trying to reach a safer place.
Rocky’s music is a journey into the spirit of resistance in the form of loud bass, energetic anthems, and subversive takedowns of the status quo.
An exploration of how a photo contest preserves proof of the Vietnamese communist government’s brutality and manipulation regarding “Land Use Rights” for citizens in Vietnam.
I often times view paper as a metaphor for history. When I am working on these hand-cut paper sculptures, I actively carve out space for histories that are actively forgotten and erased in this white supremacist nation. The reductive process deconstructs the white canvas, revealing more and more truths with every slice.
A submission call for "texture poems" from the Vietnamese diaspora, in commemoration of the 44th anniversary of April 30, 1975. This year on diaCRITICS, we wish to reflect on this day in terms of both the past and the present. We would like to consider “textures” of diasporic experience that have since been gathered, created, collected and re-collected, imagined and re-imagined, since that historic day in 1975.
"I dive into history while recognizing that I am more than a war. / We are our ancestors’ wildest dreams. / We have suffered and continue to, but that doesn’t define us. // What value do my communities have in society? // Who is considered worthy of praise? // What is considered natural or unnatural? // What does utopia look like? // I decide. / We decide."
"Accuracy, though, was never Nao’s goal. Instead, Sheep Machine is a meditation on the act of seeing. Nao asks: what do we see and how do we describe it? It is a question of truth: is what I see true and can I tell you what I see truthfully?"