Art

This is the argument I’m trying to make, that there’s a lot to be grateful for. There’s already that calmness, there’s already that life. What I did at that stage in my life, which was only a few months ago, I just tried to look closer to home, and thought, “this could be a lot worse.”
Trong What My Eyes Behold Is Simultaneous (tạm dịch: Chiêm Ngắm Đồng Hiện ), triển lãm cá nhân của Thùy-Hân Nguyễn-Chí, trò chơi bóng bàn là hình tượng của vòng lặp ảnh hưởng giữa người với người trong những quy mô lớn nhỏ, xuyên không-thời gian.
The Missing Piece Project is so incredibly important because it demands a transformation of memory, a rethinking of how history has rendered the war in Vietnam.
A sense of hauntedness pervades throughout the exhibition, as preternatural phenomena, as references to signs of former life, or as phantom flashes in multi-layered videos in Thùy-Hân Nguyễn-Chí's solo exhibition, In What My Eyes Behold Is Simultaneous.
The idea of motion does help me understand the sense of urgency I feel towards many things and the rhythm I’ve built around dancing and writing over the past few years.
A single woman supplied with a folding chair and multiple voices was able to render an entire audience paralyzed with grief. By the end of the show, it seemed clear that while this began as a tale seeking revenge, it was actually a tale of a daughter seeking to understand, connect, and honor her mother by any means necessary, even if it meant ripping apart scars by uncovering her and her family’s unaddressed trauma.