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Chi Vu is a Vietnamese Australian writer and director, and her award-winning works span genres such as the postcolonial gothic, horror and magic-realism. Her most recent work, Coloured Aliens, is a critically acclaimed comedy about an interracial couple navigating their romance in the context of racism. Mai Nguyen, an Asian Australian playwright, soon discovers that 'White Australia' only wants her to write the 'ethnic' play. Her Anglo Australian boyfriend Kevin O'Sullivan is a security guard and ex-spoken word artist on hand to provide support - and advice.
I have tried on a few occasions to write “Dear Mẹ” poems, but I do think that since she is still living that it is harder to be as honest and vulnerable. I think I am afraid to ask her the things I need to, I’m not sure why, and maybe it has to do with my lack of fluency in Vietnamese, and the lack of nuanced language one needs for these types of deep and challenging conversations.
Artist and educator Phung Huynh was introduced to Rocky Rivera’s music when she heard her guest feature in Ruby Ibarra’s song, Us. Moved by the song’s themes about sisterhood, empowerment and transforming the challenges of the immigrant experience, colonialism, and cultural assimilation, Phung played the song over and over again in her car.
“Ahhh, giống chúng mình quá,” my mother said when I finished the book. “I don’t eat fried grasshoppers but I understand.” It’s this cross-cultural understanding that Vilayvanh Bender seeks to establish in her children’s book. The wish for parents and children to connect is as ancient as language itself, breaking cultural barriers and generational barriers...
Socio-cultural, literary, and political news and events relating to Việt Nam and to the Vietnamese diaspora. ■ News from the Diaspora ■ Malaysian Bar chief asks why Vietnamese suspect in Kim Jong Nam murder case was not freed ■ “Tiffany Chung: Vietnam, Past Is Prologue” at the Smithsonian American Art Museum ■ ...
On February 19, to commemorate the 50th anniversary of San Francisco State University's Third World Liberation Strike, writer Viet Thanh Nguyen and photographer An-My Lê were in conversation about what Vietnamese American art means to their practice.
It's the difference between a legacy of interacting with the natural world through a series of violent acts with the purpose of domination over a space, versus interacting with the natural world as a means of avoiding acts of violence, and trying to reach a safer place.
Rocky’s music is a journey into the spirit of resistance in the form of loud bass, energetic anthems, and subversive takedowns of the status quo.
An exploration of how a photo contest preserves proof of the Vietnamese communist government’s brutality and manipulation regarding “Land Use Rights” for citizens in Vietnam.
I often times view paper as a metaphor for history. When I am working on these hand-cut paper sculptures, I actively carve out space for histories that are actively forgotten and erased in this white supremacist nation. The reductive process deconstructs the white canvas, revealing more and more truths with every slice.
A submission call for "texture poems" from the Vietnamese diaspora, in commemoration of the 44th anniversary of April 30, 1975. This year on diaCRITICS, we wish to reflect on this day in terms of both the past and the present. We would like to consider “textures” of diasporic experience that have since been gathered, created, collected and re-collected, imagined and re-imagined, since that historic day in 1975.